Archive

ShareThis Page
Long-awaited ‘Hamilton’ tour arrives for month-long stint in Pittsburgh | TribLIVE.com
Theater & Arts

Long-awaited ‘Hamilton’ tour arrives for month-long stint in Pittsburgh

Candy Williams
| Wednesday, December 26, 2018 12:03 a.m

The new year starts off with a bang with the opening of “Hamilton” in Pittsburgh.

Anticipation for the latest touring production of the megahit musical coming to Benedum Center – presented by Pittsburgh Cultural Trust as part of its PNC Broadway in Pittsburgh series – has been unprecedented.

As a result, most of the 31 upcoming performances Jan. 1-27 were completely or almost sold out nearly two weeks before opening night. Fans are looking to digital lotteries being held two days before each performance for the slim chance to win up to a pair of 40 $10 seats being offered for all shows

The pop culture phenomenon since its Broadway premiere in August 2015 is generating the same excitement everywhere it goes — and giving audiences a history lesson about the birth of our nation they won’t soon forget.

America then and now

Its producers describe the show directed by Thomas Kail as “the story of America then, as told by America now.” It’s based on Ron Chernow’s biography of Alexander Hamilton, an immigrant from the West Indies who became George Washington’s right-hand man during the Revolutionary War and served as the new nation’s first Treasury Secretary.

Composer, lyricist, playwright, rapper and actor Lin-Manuel Miranda – who currently portrays a London lamplighter in Disney’s holiday blockbuster movie “Mary Poppins Returns” – created the book and a lively musical score for “Hamilton” that features hip-hop, jazz, blues, rap, RB and Broadway show tunes.

Young people ‘get it’

Josh Tower, who plays Aaron Burr, a Continental Army officer who became the third Vice President of the United States, said the show’s diverse cast and contemporary score speak especially to young people.

“The young ones totally get it,” he said. “They can feel the new beats and rhythms in their bodies and then their minds can pull in the lyrics. And to see people representative of them is a special thing.”

His role as the main antagonist of the musical culminates in an Act 2 shooting scene depicting an actual pistol duel that occurred between Burr and Hamilton on July 11, 1804, ending a long and bitter rivalry between the two men.

Musical’s message

Tower said that both the duel and the issue of immigrants and the positive contributions they can make to the country have prompted conversations drawing comparisons between Colonial America and society today because of “Hamilton.”

“I hope that people see themselves up there (on stage) and realize it didn’t have to come to a duel,” he said. “Burr and Hamilton could have talked about their differences. They were friends; it didn’t have to end this way. My hope is that people understand that nothing has to end in violence.”

He said one of his favorite songs in the show written by Miranda, “Dear Theodosia,” delivers a powerful message for parents, including himself, about their hopes for the future and how “despite how hard you mess up, everything will be OK.” He and his wife are parents to two children, ages 4 and 6. A portion of the lyrics of “Dear Theodosia”:

“You will come of age with our young nation We’ll bleed and fight for you, we’ll make it right for you If we lay a strong enough foundation We’ll pass it on to you, we’ll give the world to you And you’ll blow us all away.”

Tower, who grew up in the Philadelphia suburb of Ambler and studied theater at Temple University (BFA) and the University of North Carolina at Chapel Hill (MFA), previously performed in Pittsburgh CLO productions of “Miss Saigon” in 2010 and as Judas in “Jesus Christ Superstar” in 2011.

His Broadway credits include “School of Rock – the Musical,” “Motown the Musical,” “Ragtime” and “The Lion King.”

“Hamilton” also features Austin Scott as Alexander Hamilton, Anna Cruz as Eliza Hamilton, Paul Oakley Stovall as George Washington, Stephanie Umoh as Angelica Schuyler, Bryson Bruce as Marquis de Lafayette and Peter Matthew Smith – a Sewickley native who attended Quaker Valley High School and Point Park University – as King George.

How to enter
the digital lottery

The lottery will open at 11 a.m. Dec. 30 for tickets to the Jan. 1 performance. Subsequent digital lotteries will begin two days prior to each succeeding performance.

Forty tickets will be sold for every performance for $10 each. Winners may purchase up to two tickets. Visit hamiltonmusical.com/lottery to register.

More about
the show

A signed, interpreted and closed captioned performance will be held at 1 p.m. Jan. 27. An Audio Described performance will take place at 2 p.m. Jan. 26.

“Hamilton” is appropriate for ages 10 and up. The show contains some strong language and non-graphic adult situations. Every patron, regardless of age, must have a ticket. No child under age 3 will be admitted.

For answers to questions about “Hamilton” at the Benedum, visit trustarts.org/HamiltonFAQ/

“Hamilton”
Education Program

Pittsburgh is among the tour cities participating in the Hamilton Education Program, an outreach partnership between the producers of “Hamilton” and the Gilder Lehrman Institute’s mission to improve the teaching and learning of American history. With support from The Rockefeller Foundation and other donors, high school students in Title I schools pay a nominal fee to see a performance of the show and interact with actors.

“It’s a magical experience for students,” says Tower. “Teenagers really hook into this musical.”

Details: GilderLehrman.org/HAMILTON

“Hamilton:
The Exhibition”

The excitement over “Hamilton” will continue into the spring with the April launch in Chicago of “Hamilton: The Exhibition,” which will take visitors deeper into the life and times of Alexander Hamilton through an immersive exhibit featuring an interactive mix of in-depth scenography, lighting, sound, multimedia, music and an audio tour narrated by Miranda.

Details: hamiltonexhibition.com

Candy Williams is a Tribune-Review contributing writer.


560631gtrTKhamilton01122718
Joan Marcus
Austin Scott, center, is Alexander Hamilton in the national tour of “Hamilton.”
560631gtrTKhamilton02122718
Joan Marcus
The national tour of “Hamilton” takes the stage at the Benedum Center in Pittsburgh Jan. 1-27.
560631gtrTKhamilton03122718
Joan Marcus
Sewickley native Peter Matthew Smith is King George in the national tour of “Hamilton” on stage at the Benedum Center in Pittsburgh Jan. 1-27.
TribLIVE commenting policy

You are solely responsible for your comments and by using TribLive.com you agree to our Terms of Service.

We moderate comments. Our goal is to provide substantive commentary for a general readership. By screening submissions, we provide a space where readers can share intelligent and informed commentary that enhances the quality of our news and information.

While most comments will be posted if they are on-topic and not abusive, moderating decisions are subjective. We will make them as carefully and consistently as we can. Because of the volume of reader comments, we cannot review individual moderation decisions with readers.

We value thoughtful comments representing a range of views that make their point quickly and politely. We make an effort to protect discussions from repeated comments either by the same reader or different readers

We follow the same standards for taste as the daily newspaper. A few things we won't tolerate: personal attacks, obscenity, vulgarity, profanity (including expletives and letters followed by dashes), commercial promotion, impersonations, incoherence, proselytizing and SHOUTING. Don't include URLs to Web sites.

We do not edit comments. They are either approved or deleted. We reserve the right to edit a comment that is quoted or excerpted in an article. In this case, we may fix spelling and punctuation.

We welcome strong opinions and criticism of our work, but we don't want comments to become bogged down with discussions of our policies and we will moderate accordingly.

We appreciate it when readers and people quoted in articles or blog posts point out errors of fact or emphasis and will investigate all assertions. But these suggestions should be sent via e-mail. To avoid distracting other readers, we won't publish comments that suggest a correction. Instead, corrections will be made in a blog post or in an article.