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Patrons get look at $18M upgrade at Westmoreland art museum

Jacob Tierney
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Sean Stipp | Trib Total Media
John La Farge, 'Iris', 1871, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
James Hart, 'Farmington, CT', 1866, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Guy Pene duBois, 'Rose Madder Club', 1934, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
John La Farge, 'Moon Over Clouds', 1884, stained glass from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
David Gilmour Blythe, 'Prospecting/Bullcreek City', c. 1861-63, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Maurice Prendergast, 'Untitled', not dated, watercolor on paper from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Alfred Bricher, 'View Near Point Judith', c. 1880, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Brandywine River Museum of Art--Guy Pene duBois, 'The Appraisal', 1926, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Unknown, 'Lake Champlain, New York and Camel’s Hump, Vermont', 1858, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
H. Bair, 'George Westinghouse Bridge', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Maurice Prendergast, 'Seascape', not dated, watercolor on paper from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Lila Hetzel, 'Somerset Woolly Bear Caterpillar', 1947, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Brandywine River Museum of Art--John Kensett, 'Hudson River View From Dobbs Ferry, New York', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Robert Bowden, 'Polish Hill', 1995, watercolor on paper from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Alexander Wyant, 'The Upper Potomac', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Antonio Jacobsen, 'Untitled', 1887, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Attributed to William Trost Richards, 'Landscape', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Westmoreland Museum of American Art -- John Kensett, 'Twilight on the Seashore', c. 1872, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
James Buttersworth, 'Narragansett in New York Harbor, Tug Narragansett Off Castle Garden, New York', not dated, oil on canvas rom the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Thomas Anschutz, 'Untitled', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Willard Metcalf, 'Corner of the Garden', 1920, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Charles Courtney Curran, 'In the Mountains', 1915, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Charles Courtney Curran, 'By the Lily Pond', 1908, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Christian Walter, 'Untitled', not dated, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Jesse Talbot, 'Indian Hunter', c. 1840s, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Westmoreland Museum of American Art --William Merritt Chase, 'Interior, Oak Manor', 1899, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Brandywine River Museum of Art--Albert Bierstadt, 'California Coast', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Edward Potthast, 'Beach Scene, Coney Island', 1915-18, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
John La Farge, 'Waterlilies', 1883, watercolor on paper from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Lilli Nieland of Squirrel Hill looks over the progress of the new cantilevered addition being constructed at the Westmoreland Museum of American Art on Friday, Dec. 5, 2014, during a hard-hat tour for guests.
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Tribune - Review
An exhibition of the finest artworks from the bequest of the late Tribune-Review publisher Richard M. Scaife will open May 12 in The Westmoreland Museum of American Art in Greensburg. Scaife (right) is shown here in 2005 with Judith Hansen O'Toole, the museum's Richard M. Scaife Director/CEO.
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Sean Stipp | Trib Total Media
Judith O'Toole, director and CEO of the Westmoreland Museum of American Art and Thomas Padon, director of the Brandywine River Museum of Art, share a light moment while standing for a portrait on Dec. 3, 2014 after selecting which paintings they would acquire from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Thumbnail size photos hang on a pinup board at the Westmoreland Museum of American Art. The photos represent the paintings that have been acquired by the Westmoreland Museum of American Art from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
John La Farge, 'Waterlilies', 1883, watercolor on paper from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Granville Redmond, 'Wildflowers, Poppies, and Lupines', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Art handlers (left) Kevin O'Toole and Scott Hunter look for specific painting from the private collection of the late Richard M. Scaife on Nov. 18, 2014.
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Sean Stipp | Trib Total Media
Lilly Martin Spencer, 'Raspberries', 1933, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Charles Courtney Curran, 'The Golfish', 1911, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Westmoreland Museum of American Art -- Edmund C. Tarbell, 'Portrait of Father and Children (John J. Albright)' not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Tribune-Review
George Inness, 'Moonrise, Alexandria Bay', 1891, oil on canvas from the private collection of the late Richard M. Scaife, The Westmoreland Museum of American Art.
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Sean Stipp | Trib Total Media
Brandywine River Museum of Art--Theodore Robinson, 'Yacht Club Basin, Cos Cob Harbor' 1894, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Gerrit Beneker, 'Hello, Number Please,' 1920, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Judith O'Toole, director and CEO shows guests a architectural drawing during a hard hat tour for guests on Friday, Dec. 5, 2014 at The Westmoreland Museum of American Art in Greensburg.
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Sean Stipp | Trib Total Media
R.H. Collins, 'Untitled', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Brandywine River Museum of Art--Martin Johnson Heade, 'New Jersey Salt Marsh', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Alfred Bricher, 'Low Tide - Cliff Island, Maine', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Kenneth Frazier, 'Woman in Veiled Hat', c. 1913, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Ernest Lawson, '66 Old Saw Mill', not dated, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Frederick Bosley, 'Peggy Reading to Elizabeth', 1926, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Aaron Harry Gorson, 'Untitled', not dated, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
William H. Beard, 'Five Bears', 1896, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Gerrit Beneker, 'The Iron Worker', not dated, oil on board from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Aiden Lassell Ripley, 'Industries of Holyoke', 1935, oil on plywood from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Westmoreland Museum of American Art -- Jasper Cropsey, 'Starucca Vale', 1896, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Rachel Sutton, 'East Liberty', 1929, oil on canvas from the private collection of the late Richard M. Scaife.
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Sean Stipp | Trib Total Media
Unknown, 'Niagara Falls', not dated, oil on canvas from the private collection of the late Richard M. Scaife.

Patrons of the Westmoreland Museum of American Art donned white hard hats Friday for a tour inside the under-construction structure on North Main Street.

Sparks flew as welders assembled the main staircase leading down into the main lobby.

The museum's unfinished rooms are a collection of metal beams, wooden board and concrete floors, but soon, they will be gallery spaces, staff offices and community areas.

The $18 million renovation will add 12,500 square feet to the museum while modernizing the space. It is the building's first major overhaul since the 1950s.

One challenge, according to staff, has been organizing the galleries so that visitors are subtly led through the museum's collection.

“We want to control those traffic patterns. We want to guide them through the museum,” Director Judith O'Toole said.

It's a challenge that chief Curator Barbara Jones said she has been thrilled to take on to establish exhibits within a brand-new space.

“It's like play for me,” she said.

The cantilevered structure that juts out from the second floor over the museum grounds will serve as a starting point for most visitors. It will house a rotating selection of traveling exhibits, as well as a gallery of work made after 1950.

The museum has not featured contemporary work in the past, but a gift of more than 130 pieces from Squirrel Hill residents Diana and Dr. Peter Jannetta, which was announced in 2011, helped to bring the museum's collection up to date.

From there, visitors will be guided through the galleries in reverse-chronological order, traveling back in time through the history of American art. Almost all of the galleries will be on the second floor, no longer divided between the second and first. A small gallery on the third floor will be devoted to artworks on fragile paper.

“The paintings have so many stories to tell about American history and American art,” Jones said.

The collection has swelled while the museum was under construction because of the Jannettas' gift and a bequest of more than 200 artworks from Richard Mellon Scaife, owner and publisher of the Tribune-Review, who died July 4.

“That gift has really filled some gaps for us,” O'Toole said.

Artworks will be rotated into the galleries more often to showcase as much of the collection as possible. The renovation was designed with an expanding collection in mind, O'Toole said.

“We built for the future, just the future is a little closer than we thought it would be,” she said.

The second-floor galleries are covered with graffiti painted by visitors to the “Wrecking Ball” party the museum threw as it closed for renovations.

On the first floor, a new community room will provide space for lectures, entertainment, dinners and special events.

“This is a space we've really never had before,” O'Toole said.

The community room has been informally dubbed the “Sunset Room,” because it will be painted with orange and gold hues that should make the room glow when the sun comes in the windows at dusk.

Visitors said they were impressed by the museum's progress so far.

“I don't even have words for it,” said Greensburg resident Darla Wilson, praising the quality of the workmanship. “They used the best. I think it's really going to bring a lot to our county.”

Jacob Tierney is a staff writer for Trib Total Media. He can be reached at 724-836-6646 or jtierney@tribweb.com.